Welcome back for another RUSH fix! Are you on our email Mailing List?
Find the white box on the left of the page and type in your email address, then hit the Subscribe button.
Thanks for your support of tribute bands!

Big Al Lifeson Lists His Best Guitar Solos

snakes-and-arrows-6-l

 

Mus​i​cRadar​.com recently spoke with Alex Life­son and asked him what he thought were his three best gui­tar solos. Alex chose Freewill, Kid Gloves and Lime­light. Very inter­est­ing. Here’s what Lerxst had to say about each solo:

1. Lime­light (1981)

I love the elas­tic­ity of the solo. It’s a very emo­tional piece of music for me to play. The song is about lone­li­ness and iso­la­tion, and I think the solo reflects that. There’s a lot of heart in it. It’s a feel thing: you have to feel a solo as you play it, oth­er­wise it’s going to sound stiff. I never had that prob­lem with Lime­light. The first time I laid it down in the stu­dio, I feel a real attach­ment to it and I could tell it was spe­cial. Even now, it’s my favorite solo to per­form live. I never get tired of it. Each time I’m about to play it, I take a deep breath and I exhale on that first note. I guess that sounds corny, but for me, it releases something.

2. Kid Gloves (1984)

That song is from our Grace Under Pres­sure album. What I like about the solo is, it’s the oppo­site of Lime­light: it’s got a hip, kind of slinky atti­tude, a lit­tle goofy humor. When I play it, I feel a cer­tain con­fi­dence, also like a prankster, which is not the way I am in real life at all. What’s funny about it, too, is that it has a plot to it, and I only real­ized that after I recorded it for the first time — I never have a plot in mind when I’m record­ing solos; I always just kind of wing them. The Kid Gloves solo guided me; it’s like it knew what it wanted to be and I just had to allow myself to follow.

3. Freewill (1980)

It’s a really hard solo to play. I think I feel a cer­tain amount of pride in that fact alone. Every time I play it, I’m amazed I got through it. It’s so fre­netic and excit­ing. The rhythm sec­tion too — Geddy and Neil are all over the place. It’s prob­a­bly one of the most ambi­tious pieces of music Rush has ever done. In a sense, everybody’s solo­ing at the same time. Record­ing it, I didn’t have any­thing planned; I was just respond­ing to what the other guys did. Basi­cally, I was just try­ing to keep up! But I think it worked out pretty well. I’m rather happy with it, and I can usu­ally find fault with every­thing I do.

Many thanks to Rushis​a​band​.com for the info.

Post a Comment

Your email is never shared. Required fields are marked *

*
*
Notify me of follow-up comments via email.